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Louis for heavy music.” Instead of taking the easy route and not pursuing the band, however, Fister has always used a DIY approach to make things happen for themselves. “When Fister started,” Kenny says, “there wasn’t much of a scene in St. The Failure is eviscerating doom in the vein of Corrupted and Yob, punishing listeners with repetition, harsh screams, and copious amplification. Drummer Kirk Gatterer gives the song a downward pull with his sledgehammer percussion. The track was originally intended for a split 7” with Dopethrone but never got pressed to wax.
WHEN THE DOOM MUSIC KICKS IN FULL
When the full band kicks in with that classic John Christ riff, Eva’s vocals get wrapped in sandpaper, scraping away at your brain tissue, especially when Fister backs her screams with low growls.įor Decade of Depression, Fister also re-recorded one of their older songs, The Failure, which closes out the album. She croons with the visceral sadness and fury of Chelsea Wolfe, making Danzig’s iconic vocal parts her own. How the Gods Kill appears between bulldozing covers of Darkthrone and Hellhammer tracks, and in it, Eva’s voice glides over Marcus Newstead’s bleak guitar work, providing a spectral mid-point for the album.
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You want to respect it - you don’t want to just copy it - but what can you do when it’s already been done so perfectly? All you can do is pay homage and come from the heart. It’s scary to cover a song that is so personally special. When they asked me to participate, I was beyond thrilled. I think we looked at each other and semi-jokingly talked about how rad it would be to cover Danzig. “I think the idea was casually mentioned during our drive through the Swiss Alps, soft rain outside, a bunch of rockers stuffed in a van, Danzig three blasting and us all singing along. Something I discovered I had in common with Fister when we toured together,” she remembers. “Danzig is the nearest and dearest to my heart. As Kenny recalls, “We immediately decided that we needed to do that, and it pretty much sealed the deal on this becoming a cover record.”Įva agrees. Eva sings and screams with portentous eeriness, so the band jumped at the opportunity to collaborate with her. CHRCH vocalist Eva Rose loved what she heard, telling the band if they “ever wanted to cover the song that she’d love to sing on it,” Kenny says. Fister was messing around one night with the main riff of Danzig’s How the Gods Kill. The idea of making a record of covers gelled for Fister when they were on tour with Sacramento’s CHRCH. Intensity, but they’re syrupy and more deliberate, versions Metallica and Slayer might’ve played had they gotten obsessed with boutique amplifiers and hired gorillas to play drums. “We didn’t want to slow them down to the point of becoming totally different songs, but we did want to slow them down enough to work well in our lower tuning.” In Fister’s hands, those tracks stomp with their original “Those songs still need driving momentum,” Kenny says. Fister’s covers of Metallica’s For Whom the Bell Tolls and Slayer’s Mandatory Suicide are slowed down, but not as much as you might expect from a doom band.